For these Beats By Dre tour earbuds/earphones , the features like noise canceling and ability to pump out bass help you to isolate your mind away from the sounds coming from the real world around you. Setting the volume to a medium level will ensure that anything on the outside will have somewhat of a hassle getting between you and your music. With that being said now there are a few times when the earphones can't get the job done without causing just a bit of distortion.
We tested a number of types and genres of music and artists with the Studio over ear headphones and got some surprising results. When listening to Death Cab for Cutie's "Stay Young, Go Dancing", Ben Gibbard's vocals sounded a little deeper and lower than usual, almost as if the bass was masking his voice from coming in sharper. But when it comes to guitar heavy tracks, the bass-happy Beats do an impressive job at flushing out all the layers found even on songs that are more heavy on mids and high sides... in fact, something like "Monday Morning", again from Death Cabs Code's and Key's album. If you're not familiar with this song, just google it.
Now on the spectrum of lows and tracks with much deeper bass, you get songs like "Around the World" by Daft Punk and Madeon's "Pop Culture", you see, you can't help but force yourself to knod your head. It's very obvious that it's this style of dance and even hip-hop is what these particular set of earbuds were actually designed for. For anyone who isn't a picky audio person, the in ear headphones are more than enough to get the job done on just about any piece of music. But sometimes there are exceptions that anyone could notice easily. For instance now, when listening to Foster the People's "Helena Beat", it's an intro that can be a bit messy and a little too much for the ear buds to handle as there's just too much emphasis on every single piece of sound that it just sounds like a big mess of, well... pick-up sticks.
Songs are either a hit or a miss, and so extremely random that it is all dependant on the style, recording, and way in which these instruments come into play with each other. For instance, when listening to the band, Come On, Come On's song entitled, "Pop Fiction" it sounds like there's too much happening all at the same level of sound. When the back vocals start coming in especially, though. But in other instances, like Never Shout Never's song titled, "First Dance", the Studio over ear headphones can easily take on Christoher Drew's vocals and all the back up la la la's, drums, and even the ukelele instrument like a piece of cake.
So in all in all, drums and guitar riffs can easily get jumbled together but it all depends on what you're listening to and which show off some of the headphones weaker side, though and that they are rare and far and in between for anyone who can give a pair of Monster Cable Dr. Dre Studio Beats Headphones some slack in the audio dept.
We tested a number of types and genres of music and artists with the Studio over ear headphones and got some surprising results. When listening to Death Cab for Cutie's "Stay Young, Go Dancing", Ben Gibbard's vocals sounded a little deeper and lower than usual, almost as if the bass was masking his voice from coming in sharper. But when it comes to guitar heavy tracks, the bass-happy Beats do an impressive job at flushing out all the layers found even on songs that are more heavy on mids and high sides... in fact, something like "Monday Morning", again from Death Cabs Code's and Key's album. If you're not familiar with this song, just google it.
Now on the spectrum of lows and tracks with much deeper bass, you get songs like "Around the World" by Daft Punk and Madeon's "Pop Culture", you see, you can't help but force yourself to knod your head. It's very obvious that it's this style of dance and even hip-hop is what these particular set of earbuds were actually designed for. For anyone who isn't a picky audio person, the in ear headphones are more than enough to get the job done on just about any piece of music. But sometimes there are exceptions that anyone could notice easily. For instance now, when listening to Foster the People's "Helena Beat", it's an intro that can be a bit messy and a little too much for the ear buds to handle as there's just too much emphasis on every single piece of sound that it just sounds like a big mess of, well... pick-up sticks.
Songs are either a hit or a miss, and so extremely random that it is all dependant on the style, recording, and way in which these instruments come into play with each other. For instance, when listening to the band, Come On, Come On's song entitled, "Pop Fiction" it sounds like there's too much happening all at the same level of sound. When the back vocals start coming in especially, though. But in other instances, like Never Shout Never's song titled, "First Dance", the Studio over ear headphones can easily take on Christoher Drew's vocals and all the back up la la la's, drums, and even the ukelele instrument like a piece of cake.
So in all in all, drums and guitar riffs can easily get jumbled together but it all depends on what you're listening to and which show off some of the headphones weaker side, though and that they are rare and far and in between for anyone who can give a pair of Monster Cable Dr. Dre Studio Beats Headphones some slack in the audio dept.
About the Author:
Samantha Whittel grew up in Manhattan, NY. She and her husband and children now live in Albany, NY. She collectsfamous paintings and other paintings by Salvador Dali .
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